Showing posts with label By Daniel Richards. Show all posts
Showing posts with label By Daniel Richards. Show all posts

Monday, 3 May 2010

Daniel Richards' Evaluation

Advanced Portfolio-Evaluation
1) In what ways does your media product use, develop or challenge forms and conventions of real media products?

To a large extent my media product challenges the forms and conventions of real media products in terms of the ancillary texts in particular, as my main product is a short film these do not produce film posters to promote the film itself although it does use a traditional convention of real media product via a magazine review.

In terms of the film poster, the names of the actors in the film are not boldly displayed like the traditional main stream films do so in order to promote their film even further. However, I felt that as the actors in the film where not well known, it would be pointless to display their names although I think that besides the idea of placing images of the two main characters on

the poster so that the audience could immediately identify the leading characters but again I felt that as the actors were not illustrious actors it would not be as strong of images as what was used in the final poster. Short film posters often not too dissimilar too independent films traditionally display images that are either screenshots from the film plus the leading character or just a leading graphic or image which symbolises the film as a whole. Above all, a very clear and evident title is incorporated. This latter notion mentioned is the one I used and developed for my own film poster. It consists of a very a clear and bold title over an image which epitomises what the film represents. I came to the decision that the image used for basically what is the whole poster besides the title, essentially as a whole truly highlights the contrast and paradox to an extent, especially in terms of the underlying motifs (that everything is not as ‘rosy’ as it appears to be). The various ideas I debated over are outlined more strongly in the following link; http://ldgf10.blogspot.com/2010/03/these-are-initial-ideas-we-had-for-film.html

To a large extent the technical layout of the magazine can be viewed as ‘classic example’, taken inspiration from the leading film review magazines such as ‘Total film’ and ‘Empire’.

For instance it follows the conventional layout of film magazine reviews, consisting of the archetypal characteristics; main image, secondary image, break out paragraph, plus the typical typography. Nonetheless, these conventions were used as not only constant viewers of my magazine ‘Spark’ but also but the wider audience of readers who consistently read film magazine reviews are familiar with these conventions so rather than presenting to them an unorthodox and unfamiliar layout may turn them away from reading the review. So basically, by following the ‘classic’ layout of a magazine review was done in order to be appealing to as many readers possible.

Furthermore, my film project predominantly follows the traditional plotlines of short film, one of which is a short, sharp and effective narrative (essentially hitting the audience hard with the film’s intended theme and purpose). With the theme of British identity I had taken it to develop and deliver the classic purposes of a short film. Essentially, provoking the audience the question what they are viewing thus concluding the film with what should be the answer(s) to their question(s).

In regards to the conventions of a short film to which I met are the length; ‘anything sub 30 minutes narrative/non-narrative designed to entertain/challenge a theoretical audience;' Paul Swadel (short film producer) and the narrative structure. I followed the typical conventions of a mainstream film with a three part narrative structure, by the means of utilising the elements of non-linear narrative structure in addition. The comment made by Paul Swadel correlates strongly to the all overall purpose of my film. To some extent I had developed yet challenged at the same time the narrative structure of traditional short films, as short films predominantly follow a linear structure throughout the film probably due to the short length of the film. There is simply not enough time for the film to comprise of circular storylines, flashbacks and numerous objective narratives. Short films usually focus on one main character (subject narrative), this allows the character to develop therefore the audience can follow them easily, especially as there is not enough time to create larger plotlines due to the fact it is a short film. So short films have to be interesting immediately and throughout thus gaining the satisfaction of the consumers. This is done through the protagonist and/or the plotline (in correspondence to open ending and enigma).

Whereas, I my film had consisted of flashbacks plus an object narrative (with regards to Mr Smith speaking of his foreign friend over a flashback of his friend) thus developing but

challenging the traditional narrative structure of short films. I had noticed this reoccurring form of narrative structure in the short films I had viewed in my research such as, “Veronique” and “Double Take”. I learnt from the short films I had viewed that the ending to films is very much open ended in order to provoke question and discussion from the audience, of which was one element I hoped to achieve when I was producing my film.

In my film, to reinforce the theme of British identity the national anthem was put in the film to reinforce this theme but also highlight the underlying message of the film; ‘is the sense of British identity renown around the world actually in existence today?’ The poster also reinforces this notion, highlighting the contrast of British society, of which is aimed to be portrayed to the audience in the film.

The established forms and conventions of the media and genres I have previously worked in are short film sequences with the incorporation of the thriller genre, of which I did incorporate the feature of using the genre of thriller to a small extent in this short film having had previous experience with the use of it in I had felt confident to use it again with of course, correspondence to the overall theme of British identity.

2) How effective is the combination of your main product and ancillary texts?

The context of the magazine (one of the two ancillary texts) combines very well with the main product as it is a magazine of which its principal audience is school teachers (particularly those within secondary schools); form tutors plus media teachers. Conversely, the other ancillary text (film poster) is effective combination of my main product but not as effective as the magazine review. This is because the magazine review reinforces the theme of the film a lot more evidently than the poster. I believe the magazine review emphases the communication of the strongly prevalent theme in the film but I do also acknowledge that film poster does not do this as effectively however that is not the preliminary objective of my poster. I think one ought to have viewed the magazine review or the film to actually truly understand the meaning of the poster. However, the poster is meant to entice question and discussion amongst one self and in groups thus effectively without knowing being persuaded to view the film in order to attain the answers to their questions. I believe that the strongest point of the poster is the overall image as it has no overall target market, its there catch the attention of anyone no matter what their demographic, again in order to provoke thought on the subject matter of the image they have viewed (that of the movie poster). Primarily, designed with this notion in order to gain a large number of audiences besides the foremost one (students). All of which was a key objective of mine I had outlined in the process of planning.

The two ancillary texts work very well together in achieving their purpose of promoting and supporting the main film albeit via different means, from an institutional point of view, the poster is to advertise the film. This allows for a far greater opportunity of attracting no the only the intended but also more so consumers who may not have been expected to view the film who were thought to be far greater to attracted into watching the film especially those outside the primary target audience; the consumers of short film or fans of film with theme of British identity.

Whereas, the magazine article is intended to recommending the film, to some degree in this context this makes it relatively weaker in comparison to the poster in gaining audiences as it has a far smaller audiences in which to capture due to its distribution (schools).

3) What have you learned from your audience feedback?

From my audience feedback I had learnt various weaknesses and strengths. For example, I had discovered that there were problems with my use of sound but I had also discovered how effective the editing was throughout the film plus whether the purpose of the film was clearly evident to the intended audience (students between the ages of 15-18). I conducted my audience feedback by constructing several questionnaires and giving them to my form class in registratration whilst they watched the film. I had only constructed questionnaires for feedback on the film although I do acknowledge that doing so for the other two media products would have greatly enhanced not only media products as separate entities so that I could develop them after audience feedback but above all my project as a whole. However, I was not able to do this due to the time constraints of the project.

As a whole I agreed with the audience feedback as it made realise how much of the actual film looked rushed and careless, especially in terms of continuity in particular. So, I took all the audience feedback on board and changed the film in response to the feedback I received. For example, there was frequent notations of how abrupt the editing and sound were throughout the film, there was limitations to the what could be done to the sound as there was bad microphones on the DV cameras used plus, the issue of time constraints on the film. I overcame the problem of the distorted sound by using a voice over. Although I do have to consider that there were positive points from the audience feedback, by the means of the purpose and theme were identified.

I acknowledge that audience feedback is very important when creating media products as one has to take into consideration specific criteria with regards to meeting the needs of the intended target audience; above all audience feedback gives me a greater understanding of what I need to improve in order to meet the expectations of the target audience. Otherwise the media texts I had produced would be very irrelevant and difficult to be targeted at particular audiences thus hard to entice people to consume these media products.

4) How did you use new media technologies in the construction and the research, planning and evaluation stages?

Throughout my project, in the various stages of production various technologies were used in order to support and enhance the work of the film project. For instance, in the research and planning stage, my work was documented on a blog via the internet, but even more so the internet had been initially used primarily for research purposes.

Besides that there was the use of DV camera and digital camera (to take pictures of locations of the settings of where I filmed my footage of which was documented on the blog) in the production stage. In terms of post production, a lot more technology was used, particularly, computer software of which comprised of Apple's I-Movie program (a non- linear piece of editing software), besides the music already featured on the I-Movie I used the internet to gain a copyright free music to incorporate to longer parts of the film as the music from the I-Movie software does not always have the necessary music that fits with my footage, that sets the right mood for the footage being played. So that it enhances the footage even further in order for the audience to understand the film better thus enjoy it. Additionally, the program Photoshop was used to construct the film poster; of which the screen shots of the initial ideas are on the blog. This piece of software really allowed me to highlight creativity however, as Photoshop was new to me I could not truly exploit the true capabilities of the software.

Nonetheless, I did learn quickly few of the many techniques to the image manipulation software such as being to layer and diverge images to my own ideas. For example, I had utilised the tool of layering two images together so that the overall picture did not look distorted (plus adapting the colours to do so in accordance to its purpose) thus realistic. Also, incorporating to the previous example was the use of the cropping tool to enhance and attain the desired image by grabbing and cutting the desired images for the final poster. I had downloaded the titles for poster from the internet plus the 'rainy window' filter affect aswell from the internet, to reinforce and highlight the underlying theme of contrast even further.


Moreover, another example of new software I had used was Desktop Publishing, this was used to create the magazine article, and it was much easier than Photoshop to use, although it is a simple amateur piece of software whereas Photoshop program that has far greater utilities. Desktop Publishing was very simple thus easy to use of which meant that it was not time consuming at all. The ways in which this was done was in which in for example the columns and the positions of the pictures were easily possible to move to one’s needs. It was too dissimilar to attempting to produce a magazine article on Microsoft Word although this is not intended to do so; it had similar elements, very practical for an amateur magazine producer like me.

There were numerous advantages and limitations to the technology I had used, for instance a key advantage of using the I-Movie software is that as it was a piece of non-linear editing software it meant that the

original ideas I had from the beginning of the project could be developed. However, there were numerous aspects to the project which I found very frustrating as most of the time I could not overcome these but rather deal with them and adapt my project (mainly the film) to these limitations, of which included the lack of lightening and sound equipment although I overcame the problem of the insufficient amount of sound equipment by extracting the audio and replacing it with a voiceover.

In terms of technologies which I had used in the evaluation stage of my research is the use of Mircosoft Word to produce the overall evaluation document plus the incorporation of pictures but above all; the internet it links into the document so when the overall piece of evaluation is accessed on my blog the links can accessed and images can also be viewed aswell. Plus, i had also posted my film on youtube:

I had also used screenshots in incorporation to the blog in corroboration to what I have stated in evaluation to support what I have mentioned.

Friday, 26 March 2010

The second poster below was designed more in mind with relation to the theme of British identity.  As the Union Jack Flag demonstrates this as it is layered over  the iconic background images of London landmarks, again reinforcing the theme to an extent plus, the setting. The land marks would be blended together by the means of using the software; Photoshop, consisting of London Bridge and the London Eye. Taking in consideration that we have to implement our own pictures in the poster, we would take own pictures of these landmarks. These are used as they easily identifiable landmarks, so that audiences can pick up these traits without thinking twice to the setting of the film. Plus, it may well add to their decision on whether they may want to watch this or not (This is an attempt of course to reach larger demographic thus increasing the overall consumption of the film).
 
The title would be stretched across the centre of the flag (poster), spelt in two different fonts to emphasise the contrasting 'Viewpoints' depicted in the film and the 'actual portrayal' of British society depicted in the film. The tag-line would be situated below the title; the most traditional layout position on a film poster, as it would be far more likely to be noticed than in any other position. The billing block would be situated at the bottom of the poster in the central, again another traditional layout of a film poster. A picture taken by a member of the group of the graffiti on the wall would positioned directly below iconic London landmarks, again to signify the contrast. 







Monday, 8 March 2010

Characters and Locations









Characters and locations

School

Northfields tube station

Bus stop

Cash point

Alley way passage around the corner from the school; very dark, minimal lighting, only source of light is from the lamppost in the background.

Students are sitting in the middle of the classroom at tables, dressed in their 6th form uniforms. A mix of boys and girls.



Student1: Luke Burge

Student2: Lawrence Artitzone

Student3: Gabriel

Student4: Patrick McHale

Student5: Charlie O'Toole

Daniel Richards as the Teacher (Mr Smith); dressed in a dark grey suit, white shirt and black shoes. Black hair. Tall White male, (Dark grey shoulder bag).

Filip as the foreign exchange student (Lukasz):

White eastern European male. Black hair

-Black coat

-Red and white 'Poland' scarf

-Dark blue jeans

-White shoes

-Black gloves

-White shirt

-Small blue suitcase

Greg O'Sullivan (passer by): dressed as a 6th form student similar to those students from the earlier scene of 6th form students in the classroom.




Thursday, 4 February 2010

Magazines Research: Purpose



Film reviews can entertain, convince, notify, evaluate, criticise, publicise, misuse and save money; and inform people. Any number of these principles can be carried out in any review, and it is frequently decided by the magazine and their intentional audience as to the how and to what degree that these purposes are accomplished. Reviews operate as a middle man involving the (un-)seen film and the audience, and can therefore hold some influence over a variety of things, such as:

• The gross revenue of a film. While there are a numerous claims that mass-marketing of certain films can quash any review's impact, the failure of a film for example Alexander (which had particularly ruthless reviews) begs to differ. Nonetheless, there is in addition support for this argument, as was the case for all the later Scary Movie films; and the Disaster/Epic/DateMovie series. Despite this, they emerge to have a significant impact on independent films, and the astonishing success of some such as Pulp Fiction was believed to be to a certain extent the consequence of exceptionally complimentary reviews. Occasionally, film companies will not screen a film for reviewers in apprehension of getting very poor ones, as was the case for The Avengers. This doesn't always turn out well, as this approach is far too widespread nowadays and reviewers persuade audiences to be cynical about such films.

• Advertising for the film. As well as an advertisement for films within itself (anyone can fail to spot all the convention adverts from time to time, after all), many critically commended films 'spam' review ratings on their film posters and film companies rarely present press kits and gifts to critics in hopes of getting more positive reviews. Independent films are also undersupplied in the large marketing budget, and reviews inform audiences about the film for free; working in their favour.

• Anticipated earnings. Still major box analysis sites such as Box Office Prophets feature reviews in their estimates.

• Audiences who seek to make an improved judgement on whether to view a film or not. Finally, it’s the consumer who has the money and they don't always have it to throw away, so any good signs of a film, for instance a review, assist them decide on a film that they would enjoy.

The audiences for reviews contrast as they are largely reliant on the magazine itself and its own, intended target audience. For instance, a film like “Harry Potter” would be reviewed as a children's story in a children's magazine, supporting it largely on appearances and how 'desirable' it may be, whereas any adult magazine or newspaper (be it The Guardian, TotalFilm, or Sight & Sound) would see it as a story about childhood, focusing on what's below the surface and how it tries to explore this theme.

‘TotalFilm’ and ‘Empire’ provide for mainstream film audiences who are initially desire to be entertained. Whereas, there is to an extent of criticism concerned, it is not the foremost focal point of the majority of articles; more the plot and characters. It is also more visually satisfying, with numerous graphics, images and colour that grab hold of your sight easily, plus a rating for films. Audiences are just expected to know the main stars of Hollywood, and perhaps other, parallel mainstream films (e.g. in TotalFilm's "See this if you liked..." section).

On the other hand then there are magazines produced by cinemas, for example, ‘Prevue’ by Vue cinema, who pass out a brochure style layout to be read quickly (also means its cheaper to produce), includes a huge picture of lots of smaller ones, no rating, and simply a plot/character summarisation that is entirely positive, as the institutional repercussions (i.e. ticket sales) warrant it.

Tuesday, 2 February 2010

Film Poster Research: Analysis



This movie poster of the film 'Platoon' , complies with the various film poster codes and conventions. Initially, to advertise the film thus enticing people to watch the film by appealing to particular audiences.
The poster has this do by establishing the specific genre(s) of a film through specific codes and conventions such as the images; this may also include the promotion of particular stars appearing in the film. For instance, some actors are particularly known as "genre specific stars", for example, Hugh Grant is very much associated with "rom-com" films. So the image of Hugh Grant on a film poster, may automatically provoke the presumption that the film has an contextual basis on "rom-com" plot-lines.
In addition, titles and taglines; these also have to stimulate question and thought but above all a brief understanding of what the film's plot line may include. For example, the 'Platoon' poster has a very strong and outlandish type of title in terms of it is rare that two colours are used within the composition of a movie poster title. This may well link into the tagline depending on the interpretation. One interpretation is that the white lettering bordered by the colour red is done to signify the USA, as the film contextual basis is around the involvement the USA in the Vietnam war. Although another interpretation is a metaphor, that the colour of white is a sign of 'innocence' whereas the the colour red is signify 'blood'. Connotations which are strongly linked to the subject of war but above all it corroborates with the tag-line "The first casualty of war is innocence". These are all compliances made to the technical codes used in the construction of a text, i.e. the inclusion of a film title and tag-line.

Of which corresponds with the dog tags replacing the "OO" of "Platoon"(American army division), they are used by the USA military forces to identify those who are found dead in war, when the body cannot be recognised. A stark contrast to 'peace' sign below the title and tag-line, used as semiotic, to draw the connotation of how USA promoted that their sole purpose of their involvement in Vietnam was to bring 'peace' to the area (as that was a key feature of their foreign policy of the time).

Film posters are full of semiotics, audiences quickly process a lot of information about the film from these without even noticing, just from the visual imagery contained within the poster. These are part of the symbolic codes, a key feature of the construction of a film poster

For instance, the main image in the film poster of "Platoon" has the picture of a soldier centre stage of the poster, directly above the title, separated from the warfare. There's almost an aura about him, it stimulates several questions such as is he praying? Of which draws the connotation of the crucifixion. Or is depicting an image of desperation of one of many soldiers within those US forces in Vietnam who were fighting a vary hard uphill battle of no hope of winning the war. Whilst in the background, there is a juxtaposition between connotation commonly drawn with the sight of palm trees; paradise to the explosion within the setting of the palm trees.

Above all, the overall focus in on the one soldier, bold title directly below the image of the soldier, plus, the explosion in the background, of which the soldier seems a 'world away' from. The tag-line connotes the darker side of war. Its structure is one which is dissimilar to the common tag-lines consisting of a repetitive, alliterative and 'rule of three' structure, although comply with the most common if not the most important convention of being short sentence (memorable and thoughtful, especially something in context to the film).

Tuesday, 26 January 2010

Short Films Research: Potential Audiences


The funding of short films are more often than not limited and restrained, especially compared to mainstream feature length films. Mainly financed by either by the director ( but also often small production companies may fund the film as well, to promote the director thus the production company). Above all, the Public Service broadcasters, for instance, the BBC, who have a remit comprising education and information. Of which corresponds to the education section of the BBC's website and their programmes.
Short films are not widely distributed mainly due to to the intended purpose (corresponding to the audience) plus, the contrasting age demographics they are viewed by, the students at school, consumed in the educational environment to provoke stimulating discussions, within the Citizenship lesson. So that students can learn and develop a greater understanding of the the society outside of school, being better better prepared for the unexpected and difficult situations on the society outside the educational environment. On the other hand, the older age demographic, who have an interest in film. There is far less less limitations in terms of content of the film when producing with the target of the older age demographic.

Nonetheless, short films are increasingly making an impact on the internet, even I-Tunes now sells short film, but the impact is far greater on websites such as YouTube; an example if this is the film 'Panic Attack', the producer gained a $30 million Hollywood contract after his film gained mass attention on the website. (http://www.youtube.com/watch?v=-dadPWhEhVk)In addition, the social networking websites such as Myspace and Bebo provide greater chance of short films being noticed. Also, these websites provide the option of far greater implementation of experimenting with technical elements of film production, thus gaining a large public reaction learning whether to an extent it would good to imply these experimentations on a large scale on feedback given from the audience who viewed the short film.
The BBFC certificates would most definitely affect the potential audiences for short films as one key audience for short films is students, so if the BBFC certificates are above a 12 rating it begins to limit the age demographic, consequently losing potential viewers. Although, there is the older age demographic left, this is a far more narrow demographic than that of the students, it is much more easier to attract that particular audience than the students. As even outlined as one of the two guiding principles of BBFC is 'that works should be allowed to reach the widest audience that is appropriate for their theme and treatment'


(page 6)
Overall, of the classifications the one which is the most appropriate is the '15' certificate. "For example, language at '15' can be ‘strong’ and ‘very strong’. Where relevant, the frequency with which the issue appears in the work is also indicated." Language is not the only factor to take into consideration with the BBFC certificate, also, discrimination, use of drugs and alcohol, horror, nudity, theme and violence.
The audience I intend to target is initially students but also towards the older age demographic, to reach as many viewers as possible. This may well be done via the promotion of the film, such as its poster.

Daniel Richards